Carlota MatosDYCP #5After 10 months of professional development, I have now come to the end of my DYCP. I am so thrilled to have had this opportunity to make a…Apr 13, 2023Apr 13, 2023
Carlota MatosDYCP #4As I come to the final stage of this intensive period of professional development, find out more about what I’ve been up to below.Feb 27, 2023Feb 27, 2023
Carlota MatosDYCP #3In this third blog, I continue to log my DYCP activity and thoughts that have come up along the way.Dec 4, 2022Dec 4, 2022
Carlota MatosDYCP #2Since my first DYCP blog in July, I have continued developing my creative practice by seeing work, meeting people, reading, doing research…Oct 20, 2022Oct 20, 2022
Carlota MatosDYCP #1I was recently awarded a Developing your Creative Practice (DYCP) grant from Arts Council England to upscale my work with a focus on access…Jul 21, 2022Jul 21, 2022
Carlota MatosO Mundo no Arame, um reflexo de Fassbinder sobre realidade e poder // World on a Wire, a reflection…English translation belowJul 25, 2021Jul 25, 2021
Carlota MatosIs recorded theatre “real” theatre?With the pandemic restrictions came the impossibility of seeing live theatre together in a physical space. As a result, recorded theatre…Jan 22, 20211Jan 22, 20211
Carlota MatosThe strange world of isolation in Peeping Tom’s first trilogyMy first encounter with the Belgian theatre company Peeping Tom was in January 2018, when I saw Mother (Moeder) at the Barbican Centre in…Jun 9, 2020Jun 9, 2020
