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Carlota Matos
Carlota Matos

2 followers

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DYCP #5

After 10 months of professional development, I have now come to the end of my DYCP. I am so thrilled to have had this opportunity to make a…

Apr 13, 2023
Two groups of percussionists face each other, one group carrying tall speakers on their backs, outdoors in front of a Theatre.
Two groups of percussionists face each other, one group carrying tall speakers on their backs, outdoors in front of a Theatre.
Apr 13, 2023

DYCP #4

As I come to the final stage of this intensive period of professional development, find out more about what I’ve been up to below.

Feb 27, 2023
A big stage with not much in it apart from one person standing towards the back of it and a screen reading “Dancing for my life: An act of embodied courage”. Some people sat on brown seats in the audience. House lights are on.
A big stage with not much in it apart from one person standing towards the back of it and a screen reading “Dancing for my life: An act of embodied courage”. Some people sat on brown seats in the audience. House lights are on.
Feb 27, 2023

DYCP #3

In this third blog, I continue to log my DYCP activity and thoughts that have come up along the way.

Dec 4, 2022
DYCP #3
DYCP #3
Dec 4, 2022

DYCP #2

Since my first DYCP blog in July, I have continued developing my creative practice by seeing work, meeting people, reading, doing research…

Oct 20, 2022
DYCP #2
DYCP #2
Oct 20, 2022

DYCP #1

I was recently awarded a Developing your Creative Practice (DYCP) grant from Arts Council England to upscale my work with a focus on access…

Jul 21, 2022
DYCP #1
DYCP #1
Jul 21, 2022

O Mundo no Arame, um reflexo de Fassbinder sobre realidade e poder // World on a Wire, a reflection…

English translation below

Jul 25, 2021
O Mundo no Arame, um reflexo de Fassbinder sobre realidade e poder // World on a Wire, a reflection…
O Mundo no Arame, um reflexo de Fassbinder sobre realidade e poder // World on a Wire, a reflection…
Jul 25, 2021

Is recorded theatre “real” theatre?

With the pandemic restrictions came the impossibility of seeing live theatre together in a physical space. As a result, recorded theatre…

Jan 22, 2021
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Jan 22, 2021
1

The strange world of isolation in Peeping Tom’s first trilogy

My first encounter with the Belgian theatre company Peeping Tom was in January 2018, when I saw Mother (Moeder) at the Barbican Centre in…

Jun 9, 2020
The strange world of isolation in Peeping Tom’s first trilogy
The strange world of isolation in Peeping Tom’s first trilogy
Jun 9, 2020
Carlota Matos

Carlota Matos

2 followers

www.carlotamatos.com

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